Élisabeth Vérène le Bonnaire: Difference between revisions
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==Biography== | ==Biography== | ||
===Childhood and Education=== | |||
Born in Althea in the duchy of High Fells in 1811, Élisabeth Vérène was the eldest daughter of a family of influential merchants. Although not nobility themselves, Vérène's father was a luxuries and antiquities dealer with many contacts among the nobility, while her mother was an artist. She was educated at a convent, where she first discovered her love of painting. At age 15, she was accepted to the Académie de Saint-Pélagie, an art school which had fallen on hard times. She was the third woman to attend. | Born in Althea in the duchy of High Fells in 1811, Élisabeth Vérène was the eldest daughter of a family of influential merchants. Although not nobility themselves, Vérène's father was a luxuries and antiquities dealer with many contacts among the nobility, while her mother was an artist. She was educated at a convent, where she first discovered her love of painting. At age 15, she was accepted to the Académie de Saint-Pélagie, an art school which had fallen on hard times. She was the third woman to attend. | ||
===Early Career=== | |||
By her late teens, Vérène was painting portraits professionally, with her father finding buyers for her art. One of her subjects was Louis-Armand de Boisgelin, a noble scion and senior servant at the Duke of High Fells's Spring Court. When he was named to the nobility as a Baron, he became her patron, funding her activities and commissioning portraits from her. While rumors existed of a sexual relationship between the two, this claim is largely dismissed by historians as having been slanderous gossip by rivals. In 1823, Vérène met Jacques le Bonnaire, a fellow artist specializing in landscapes. They married in 1824 and opened business together, with Jacques managing a shop in Althea while Mme. Le Bonnaire did work largely on commission. | By her late teens, Vérène was painting portraits professionally, with her father finding buyers for her art. One of her subjects was Louis-Armand de Boisgelin, a noble scion and senior servant at the Duke of High Fells's Spring Court. When he was named to the nobility as a Baron, he became her patron, funding her activities and commissioning portraits from her. While rumors existed of a sexual relationship between the two, this claim is largely dismissed by historians as having been slanderous gossip by rivals. In 1823, Vérène met Jacques le Bonnaire, a fellow artist specializing in landscapes. They married in 1824 and opened business together, with Jacques managing a shop in Althea while Mme. Le Bonnaire did work largely on commission. | ||
[[File:Louis-Armand de Boisgelin.jpg|200px|thumb|left|''Louis-Armand de Boisgelin'', by Élisabeth Vérène le Bonnaire]] | [[File:Louis-Armand de Boisgelin.jpg|200px|thumb|left|''Louis-Armand de Boisgelin'', by Élisabeth Vérène le Bonnaire]] | ||
One of Le Bonnaire's portraits ultimately caught the eye of influential nobles, including the Duchess of High Fells, Marie-Therese I. As a woman, Le Bonnaire was permitted to create portraits of noblewomen. Ultimately, Le Bonnaire produced a portrait of Duchess Marie-Therese I, which now hangs in the [[Tofino Art Gallery]]. | One of Le Bonnaire's portraits ultimately caught the eye of influential nobles, including the Duchess of High Fells, Marie-Therese I. As a woman, Le Bonnaire was permitted to create portraits of noblewomen. Ultimately, Le Bonnaire produced a portrait of Duchess Marie-Therese I, which now hangs in the [[Tofino Art Gallery]]. | ||
Following her portrait for Duchess Marie-Therese, Le Bonnaire was flooded with requests for paintings. Although Le Bonnaire did take a respite from her work for her pregnancy and birth of two children, she continued a grueling work schedule. | |||
[[Category: Laeral]] [[Category: Art]] [[Category: Culture]] [[Category: People]] | [[Category: Laeral]] [[Category: Art]] [[Category: Culture]] [[Category: People]] | ||
Revision as of 18:49, 14 February 2019
Élisabeth Vérène le Bonnaire | |
|---|---|
 Self-Portrait With Students by Élisabeth Vérène le Bonnaire | |
| Born | Élisabeth Vérène December 6, 1811 Althea, Loiraine, Laeral |
| Died | February 10, 1892 (aged 70) St. Clair, Aumont, Laeral |
| Resting place | Althea, Loiraine, Laeral |
| Nationality | Laeralian |
| Education | Académie de Saint-Pélagie |
| Occupation | Artist |
| Known for | Painting |
| Style | Rococo, Neoclassicalism |
| Political party | Federalist |
| Spouse | Jacques le Bonnaire |
| Children | Jean André le Bonnaire, Félicité de Hosset |
Élisabeth Vérène le Bonnaire was a prominent Laeralian portrait artist of the 19th century. She was extremely prolific, producing over 750 portraits, and over 100 landscapes, during her lifetime. The subjects of her portraits were largely members of the elite, including High Fellsian nobility and leaders of the Laeralian War of Independence and early Laeral.
Biography
Childhood and Education
Born in Althea in the duchy of High Fells in 1811, Élisabeth Vérène was the eldest daughter of a family of influential merchants. Although not nobility themselves, Vérène's father was a luxuries and antiquities dealer with many contacts among the nobility, while her mother was an artist. She was educated at a convent, where she first discovered her love of painting. At age 15, she was accepted to the Académie de Saint-Pélagie, an art school which had fallen on hard times. She was the third woman to attend.
Early Career
By her late teens, Vérène was painting portraits professionally, with her father finding buyers for her art. One of her subjects was Louis-Armand de Boisgelin, a noble scion and senior servant at the Duke of High Fells's Spring Court. When he was named to the nobility as a Baron, he became her patron, funding her activities and commissioning portraits from her. While rumors existed of a sexual relationship between the two, this claim is largely dismissed by historians as having been slanderous gossip by rivals. In 1823, Vérène met Jacques le Bonnaire, a fellow artist specializing in landscapes. They married in 1824 and opened business together, with Jacques managing a shop in Althea while Mme. Le Bonnaire did work largely on commission.
One of Le Bonnaire's portraits ultimately caught the eye of influential nobles, including the Duchess of High Fells, Marie-Therese I. As a woman, Le Bonnaire was permitted to create portraits of noblewomen. Ultimately, Le Bonnaire produced a portrait of Duchess Marie-Therese I, which now hangs in the Tofino Art Gallery.
Following her portrait for Duchess Marie-Therese, Le Bonnaire was flooded with requests for paintings. Although Le Bonnaire did take a respite from her work for her pregnancy and birth of two children, she continued a grueling work schedule.