Élisabeth Vérène le Bonnaire: Difference between revisions

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| birth_name        =  <!-- only use if different from name above -->
| birth_name        =  Élisabeth Vérène
| birth_date        =  {{birth date|1821|12|06}}
| birth_date        =  {{birth date|1821|12|06}}
| birth_place        =  Althea, Loiraine, Laeral
| birth_place        =  Althea, Loiraine, Laeral
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| education          = Académie de Saint-Pélagie
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| occupation        = Artist
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| known_for          = Painting
| known_for          = Painting
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| notable_works      =  <!-- produces label "Notable work"; may be overridden by |credits=, which produces label "Notable credit(s)"; or by |works=, which produces label "Works"; or by |label_name=, which produces label "Label(s)" -->
| style              =  
| style              = Rococo, Neoclassicalism
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| party              = Federalist
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| spouse            =  <!-- Use article title or common name -->
| spouse            =  Jacques le Bonnaire
| partner            =  <!-- (unmarried long-term partner) -->
| partner            =  <!-- (unmarried long-term partner) -->
| children          =  
| children          = Jean André le Bonnaire, Félicité de Hosset
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'''Élisabeth Vérène le Bonnaire''' was a prominent Laeralian portrait artist of the 19th century. She was extremely prolific, producing over 750 portraits, and over 100 landscapes, during her lifetime. The subjects of her portraits were largely members of the elite, including High Fellsian nobility and leaders of the [[Laeralian War of Independence]] and early [[Laeral]].
==Biography==
Born in Althea in the duchy of High Fells in 1821, Élisabeth Vérène was the eldest daughter of a family of influential merchants. Although not nobility themselves, Vérène's father was a luxuries and antiquities dealer with many contacts among the nobility, while her mother was an artist. She was educated at a convent, where she first discovered her love of painting. At age 15, she was accepted to the Académie de Saint-Pélagie, an art school which had fallen on hard times. She was the third woman to attend.
By her late teens, Vérène was painting portraits professionally, with her father finding buyers for her art. One of her subjects was Louis-Armand de Boisgelin, a noble scion and senior servant at the Duke of High Fells's Spring Court.
[[File:Louis-Armand de Boisgelin.jpg|200px|thumb|left|Louis-Armand de Boisgelin]]


[[Category: Laeral]] [[Category: Art]] [[Category: Culture]] [[Category: People]]
[[Category: Laeral]] [[Category: Art]] [[Category: Culture]] [[Category: People]]

Revision as of 18:25, 14 February 2019

Élisabeth Vérène le Bonnaire
Self-Portrait With Students by Élisabeth Vérène le Bonnaire
Born
Élisabeth Vérène

(1821-12-06)December 6, 1821
Althea, Loiraine, Laeral
DiedFebruary 10, 1895(1895-02-10) (aged 73)
St. Clair, Aumont, Laeral
Resting placeAlthea, Loiraine, Laeral
NationalityLaeralian
EducationAcadémie de Saint-Pélagie
OccupationArtist
Known forPainting
StyleRococo, Neoclassicalism
Political partyFederalist
SpouseJacques le Bonnaire
ChildrenJean André le Bonnaire, Félicité de Hosset

Élisabeth Vérène le Bonnaire was a prominent Laeralian portrait artist of the 19th century. She was extremely prolific, producing over 750 portraits, and over 100 landscapes, during her lifetime. The subjects of her portraits were largely members of the elite, including High Fellsian nobility and leaders of the Laeralian War of Independence and early Laeral.

Biography

Born in Althea in the duchy of High Fells in 1821, Élisabeth Vérène was the eldest daughter of a family of influential merchants. Although not nobility themselves, Vérène's father was a luxuries and antiquities dealer with many contacts among the nobility, while her mother was an artist. She was educated at a convent, where she first discovered her love of painting. At age 15, she was accepted to the Académie de Saint-Pélagie, an art school which had fallen on hard times. She was the third woman to attend.

By her late teens, Vérène was painting portraits professionally, with her father finding buyers for her art. One of her subjects was Louis-Armand de Boisgelin, a noble scion and senior servant at the Duke of High Fells's Spring Court.

Louis-Armand de Boisgelin