The 2016 IDU Film Festival
#1

This is the official thread for posting your entries to the 2016 IDU Film Festival.

The submission period starts today 11/10, and ends 25/10.

The following are the official categories for this years festival:

* Best IDU Film
- Your entry should be a synopsis of the film, background info, language(s) spoken, list of characters, actors etc. Films entered should, ICly, be relatively new.

* Best actor in an IDU Film
- Your entry should be a description of your actor, what role they play, how they play it well, short biography/additional info, etc. The film they star in does not have to be the same one that you enter into the best film category, but should also, ICly, be relatively new.

* Classics of the IDU
- As the Best Film category, but entries are "old classics" from your country. Entries should include, in addition to what is listed under Best IDU Film, some info on why this is regarded as a "classic" in your nation.

* Best Foreign Film
- As the Best Film category, but open for nations outside the IDU

On the submissions
It is in the interest of the Ministry, the IDU, and, well, everyone really, that the threshold for participating is low; we want as many of you as possible to take part. That means the length/detail of your entry is completely up to you. A short paragraph like, "A drunken odyssey about two friends crossing the IDU in search of their lost house cat" is as acceptable as an essay type entry.

Who can participate?
All nations in the IDU may enter submissions to the three first categories, however, a nation is limited to one entry per category. That means you may enter one movie for Best IDU Film with you main nation, and one with your various puppets. Nations outside the region may enter the fourth category on the same conditions as above.

Who can vote?
Voting is limited to one vote per category, per player. So while you're welcome to submit entries with your puppets, you may only vote once in every category.
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#2

Best IDU Film
- Defenders of Kamchatka (2016)
A war movie about the Trivian Independence war, involves a 12 year old child, named Sakiy Vsilichev that wants to support the revolution, since the Red Army executed their mother and father for cooperating with the revolutionaries. He is forbidden to join the armed rebels, but he still finds his way up to supporting the revolution, and even being a crucial part of the movement.
The movie is mostly focused on Petropavlosk-Kamchatsky.
Both English and Russian are spoken in the movie.

<t>"Every man may claim the fullest liberty to exercise his faculties compatible with the possession of like liberties by every other man." <br/>
- Herbert Spencer</t>
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#3

Best IDU film

Thirty Six Percent (2016) - English with some Russian (subtitled into English)

The last thing Luke Wilson, an Account Executive with Alphatech Software remembered was being in a quarterly review meeting with a major client.

According to his watch that had been over three hours ago. Now dressed in jeans and t-shirt, he was waking up on a train endlessly traversing the 'Suddery Loop' monorail with no recollection of what had transpired in between.

Getting out at the Central Business District where he plans on returning to Alphatech he sees two men. Instinct causes him to run from them - they give chase - he is able to elude them but this is just the begining.

A Suburban Cohort production directed by Ravi Jobanputra (Priority), starring Academy Award winners Scott Hunter (Nelson Street, Discount Parking) and Angelique Deveraux (Congestion Charge) Thirty Six Percent is filmed over two real hours and tells the story of Wilson (Hunter) who possessing only a mobile phone with 36% charge, a set of keys that he's never seen before and a piece of paper with an address he's never been to before teams up with Suddery Police Department Detective Jodi Tyrell (Deveraux) to discover what happened in the missing hours and whilst doing so re-learns the thing that could cause a schism in regional politics and led him to becoming public enemy number one.
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#4

Best IDU Film

Title:

About A Souffl?

Plot:

Chronicling a year spent by a young foreign exchange student in Northern Gnejs university town Constance, About A Souffl? is a compelling story about unacquainted love, misapprehension, obsession, and the dangers of bad science fiction novels.

The nameless protagonist ? a sociology student that hides his insecurities behind a transparent veil of cynicism and Nietzsche quotes ? arrives in Constance late at night during a traditional exchange student pub-crawl. Trying to maintain a distanced persona, he simultaneously finds himself annoyingly fascinated by a loudmouthed Sodorian girl, Eliza, while being beset by cockeyed optimist philosophy student Nathaniel and his pseudointellectual theories about 'embracing being'.

Reluctantly swept up in Eliza's and Nathaniel's circle, and his feelings for Eliza growing stronger, the following months has the young man going through an emotional rollercoaster he has trouble to come to terms with.

When Eliza and Nathaniel announce they are in love during a Christmas party at a friend's house, the young man retracts from his friends and his studies and ends up spending hours, days and weeks at the university library reading old science fiction novels. While on the verge of deciding to simply up and leave Constance, he comes across a dusty old book about battling interstellar empires. Within the book, he finds meticulously detailed accounts of a fictional young researcher and his determination to uncover the key to making accurate predictions about human behaviour via advanced statistical methods, and how to use that knowledge to mould the future in his own image.

Armed with his new manifesto and a series of complex calculations, the young man decides to look into his own future, and rewrite it, if needs be. This marks the start of a chain of events that spirals ever downwards, ending with more than one death.

Director:

Jens Brisk

Actors:

Nameless: Jack Berg

Eliza: Anna Naess

Nathaniel: Lukas Berg

Languages spoken:
English (predominantly), Swedish, Norwegian, German
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#5

Best Foreign Film

A Dog in the Wolf's Lair (2016)
Un chien dans l'antre du loup (French)
Ein Hund im Wolfshaus (German)


Following the tragic death of his family in a house fire, 20-year old Mathieu Escoffier leaves his small rural village of Sart in French-speaking Westerheim to pursue a new life among the bright lights and busy streets of Cologne, the Westerheimer capital, deep inside German Westerheim.

Soon after arriving in the huge city, young Mathieu becomes isolated and alone; unable to communicate with anyone except an old widow who learnt her French from a soldier she took as a lover in the final days of the Second World War.

A spiral into the dark underbelly of metropolis life rapidly begins, however, as Mathieu, unable to work due to the language barrier, soon turns to darker methods of making ends meet. Plagued by guilt and drug-induced visions of his dead family and with no one left to turn to following the disappearance of the Widow, Mathieu soon finds himself balancing on the very edge of oblivion.


The debut picture from Pierre Calvet, who both wrote and directed the film, A Dog in the Wolf's Lair explores the hitherto rarely mentioned, but quietly omnipresent, tensions and troubles in Westerheim between German and French-speaking citizens. Scathingly critical of both the integration and support processes for the two language groups, the film also casts an eye over the seedy underworld of the nation's capital, with Calvet himself having spent his early twenties in a self-proclaimed cycle of drugs, prostitution and petty crime in Cologne. The film is also unique in only assigning a proper name to Mathieu; a technique Calvet says aims to "alienate and empathise in one".

Starring previously undiscovered actor Hugo Dupont as Mathieu and 1960s film star Margarethe Siegrist as the Widow in her first role for 30 years, and the last before her recent passing, A Dog in the Wolf's Lair won 6 awards at the 2016 Westerheim Screen Awards, including Best Cinematic Production (Best Film), Best Male Performance and Best Debut Director. The film's entrance into the 2016 IDU Film Festival marks its first major outing at a foreign film awards outside of the SLU.


Submitted by Westerheim of the Social Liberal Union
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#6

Foreign Film:

Outside the Lines, a musical film set in the city of Canbix, tells the story of four bystanders drawn into a bloody conflict between inhuman beasts and the government agents sent to dispatch them--who might be almost as threatening as the monsters they fight. Each pursuing their own agenda, the foursome discover that while they may not be friends, in desperate times, they might just be able to help each other get whatever it is that they're after.

Starring:
Ines Valladolid as Carlota Baez
Tara Penniworth as Allison Holmquist
Joseph McBride as Ryan McConnell
Yu Kim as Dan Wong

Director: Naomi Prinn, whose focus is on the architectural features of the city of Canbix

Music and lyrics: Rozenn Marigeno and Hibiki Sato, who previously worked together on the stage musical Snowballs' Chances. This is their first project for the big screen.

Songs are in Descriptive English, with some Algebraic (a local Zwangzug dialect) in the short scenes between.

Track listing:
"What Fools Can Be" (all)
"Walking on Hands" (Allison, agents)
"Shots in the Dark" (Carlota, monsters)
"Crisis of Faith" (Dan)
"The Pact" (Ryan, Dan)
"Archaeology Leitmotif" (all +instrumental)
"Sanctuary" (Allison)
"Machinations" (Carlota)
"Into the Woods" (Ryan)
"Makers and Kings" (all)
---
"Horse of a Different Color" (all)
"Once in a Lifetime" (Allison)
"Plus Ultra" (Dan, monsters)
"Unaltered" (Ryan)
"Can't Stop Me Now" (Carlota, agents)
"Twice in a Lifetime" (Allison, Dan)
"Advent Calendars" (Ryan, agents)
"Betrayal" (Allison, monsters)
"Out of the Shadows" (Carlota)
"Finale" (all)
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#7

?The Tale of Bearren and Lursienne?

Category: Best IDU Film.

Introduction

This story is based on historical events, although some of the original details may have been lost or altered during the intervening two Eight-Cubed?s [and slightly more] of years. Bearren and Lursienne were a pair of lovers, he an Ursine and she a TrueBear (1), who achieved an important victory against the tyrannical leaders of the Purple Empire. Their tale has already been told in various ways before now (and there is a ?Notes about [the main] earlier versions? section at the end of this post?), but this film?s creators think that they have managed an even better version.

OOC: You might notice some similarities between this story and J.R.R. Tolkien?s story about Beren and L?thien, although the differences do extend beyond simply replacing the Elves or Men with Bears. On an OOC basis that is a case of me following the adage ?If you?re going to steal, then steal from the best?: However on an IC basis the Bears would attribute it to rather similar events having happened in the two ?parallel? versions of Reality, or even to Tolkien having dreamed about the Ursine events but seen them in the light of his own Reality instead?
You might spot some other references to RL entertainment media, too.
It?s actually been several years since I decided that a version of this story was a part of the Bears? history, and now this festival has motivated me to work out the details.
^_^


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Basic Data

Studio: Flowers? Films/21st-Century Bear.
Date of release: simultaneously for this Festival and in Bears Armed.
Running time: Two parts, each of 1 watch (= 90 minutes) in length, normally shown together but with an interval of a third or even half of a watch between them.
Language: Ursine (original filming), English (major roles mostly re-filmed in studio, & master-copy then digitally altered so that words and facial movements match; minor roles just dubbed, generally by the original actors, but with the words of certain Powers given only as subtitles? This is the version being shown at the Festival), German (most roles dubbed, generally by the original actors, but with the with the words of certain Powers given only as subtitles), French (ditto), several other ?Ursinnic? languages (either likewise, or fully dubbed).

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Story Synopsis

Bearren, the son of Barrarhirhr (who was last generally-acknowledged chief of the entire Clan Irrumerrhabarra (2) ), was an Ursine hero in the struggle against the wizard-ruled ?Purple Empire?. He was forced into exile in the south, after the fight in which his father perished and their homeland was over-run by Imperial forces, and led a small band of guerrillas for several years, and spent much of that time helping to defend a local ?Queendom? ? which had apparently arisen separately from the main Ursine culture ? before the people of that land migrated eastwards to found the city of Shebahr. After that he headed north-east through the mountains and, acting on the advice of a powerful spirit known as ?She Within Bahar?Kai? which manifested in the only good pass through that section of the range, eventually found his way into the forests of Barrdenn. In those days Barrdenn was inhabited by TrueBears under the joint rule of the Lady Merrienne (one of the StarBears (3), who had chosen & been allowed to remain on Urrth after earlier deeds there?) and her consort the TrueBear leader (or ?King?) Dorrath. Shortly after entering the area under that couple?s protection Bearren encountered Lursienne, the daughter and only child of those rulers, who was dancing in praise of the Great Bear and Mother Nature in the moon?s light in a glade (in ?Southerr Barrdenn?, the part of that realm lying to the south-west of the Long Lake; that glade was surrounded by magnolia trees and wild lilac, two species that are still found there today although that is the only area in which they grow naturally on that side of the mountains) and the two fell instantly in love with each other.
A few days later Bearren?s presence there was discovered by Baerron the Minstrel (4), a TrueBear from Dorrath?s court who was also in love with Lursienne, who informed his king about this Ursine having entered Barrdenn and about the couple?s relationship. They were summoned before Dorrath and Merrienne, and went willingly because Lursienne was certain that she could persuade her father to grant her wishes in this matter.
Dorrath was reluctant to let the couple wed, however, at least in part because of the difference between their potential life-expectancies and the long time in which Lursienne therefore would be left with only memories: After a lengthy debate he finally agreed that they could do so if Bearron proved himself by retrieving one or more of certain artefacts of power that the Empire had stolen from their rightful places: These were three out of a set of eight ?Star-Crystals? which the StarBears had planted in selected spots while they were ?cleansing? the land after the earlier ?Wizards? War? (5) in order to help stabilise its occult energies, and the Empire?s leadership was now using them as a source of additional power for its magics. Bearron accepted this challenge, travelled to the tower of the Vivimancer (one of the Empire?s most powerful wizards), and fought his way past the guards there who included several monstrous ?BereWolves? (the Ursine equivalent of ?Werewolves?, who turned into something like a monstrous form of one of the extinct Amphicyonid ?Bear-Dogs?? (6) ) but was himself defeated by the Vivimancer?s chief lieutenant Baurron (who was then thought to be ?merely? one of the [very] few TrueBears to have fallen into corruption, but was subsequently revealed to have been already demon-possessed by this point) ? who took the form of an even mightier BereWolf for this fight ? and was cast into an oubliette. Here the first half of the two-parter film ends?
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _

The second half of the story opens back in Barrdenn, to which news of Bearron?s captivity was brought by a talking bird: This film agrees with the earlier ?approved? versions and with the epic poem in making that bird a Kitt-Robin, although some of the other versions use a Raven instead. Darroth refused to send a rescue mission, but Lursienne managed to steal away in the night with the aid of a being named ?Pu?an, the Mighty Talking Hog of Barrdenn?, whom it is suggested had originally come to Urrth as a helper for the Lady Merrienne. Lursienne wore an enchanted cloak of feathers from many different types of birds, which enabled her to take a winged form temporarily, for this journey.
Once they reached the Vivimancer?s tower Pu?an dealt with its remaining BereWolf guardians, even driving off Baurron (who entered the fight after his minions were defeated) himself, and then Lursienne ? using powers inherited through her mother and (at least according to this version of the story, although none of the earlier ones mention it?) powers actually lent secretly by Merrienne to her daughter ? sang a great Song which brought down most of the tower?s structure. Unfortunately the Vivimancer managed to escape, though, by employing the Star-Crystal?s power to transport him to its other two stolen counterparts which were in the Empire?s capital city, but the very depth of Bearren?s prison underground protected him from the debris and Lursienne was able to set him free. Also cast into the oubliette had been his uncle Barragon, the Bear who had had betrayed Barrahirh?s forces to the Empire in the first place, who had been turned into a BereWolf since then but who had retained enough self-control to help Bearren against the tower?s other guardians ? although he received mortal wounds from Baurron in that fight ? instead of opposing him: With his dying words he explained that the betrayal had actually been motivated by his thinking that a deal with the Empire was his clan?s only real hope of survival rather than (as Bearren had previously thought was the case) by personal ambition, and when Lursienne was able to confirm that he spoke truly Bearren forgave him.
Lursienne ?sang? Bearren back to health, although she had been unable to save Barragon as well, and once he was mostly recovered the he gave his uncle a proper burial. A magically-produced ?outer ?pelt? had been attached to Barragon to cause his transformation, but had fallen off when he died: Lursienne, with the assistance of Barragon?s spirit which lingered for a while longer on Urrth to help the couple further, was able to place this ?loosely? over Bearren, so that it gave him the appearance of a BereWolf ? and some of its physical prowess, as well ? without letting the wolf-spirit that was bound within it influence his behaviour. She then donned again her ?cloak of many feathers?, and cast a glamour so that her flying form would look to most onlookers as though it was one of the flying creatures that the Vivimaner had created instead, and the couple journeyed onwards to the Empire?s capital city ? which is now known only as ?the Forgotten City?, whatever name it actually had in that age having been deliberately ?lost? ? to continue the quest for the Star-Crystals. In those guises they travelled openly, as though they had a right to visit the city, and none of the Imperial personnel whom they passed along the way attempted to stop them: They did get into one fight during the journey, though, saving a person who seemed to be just a young female Ursine but who turned out to be really a daughter of the River Surra?s spirit herself (7) from a gigantic spider. Pu?an made his own way to the woods outside the city, more covertly.
Once the couple reached the actual gates of the Forbidden City their disguises became useless. The mortal guards fell back before their might, and their spiritual power, but Baurron led an entire pack of BereWolves against them and in the face of this threat Lursienne and Bearren then surrendered? as they had secretly planned. They were taken before the Purple Emperor in person, who taunted them by showing that one of the Star-Crystals was in his personal possession, but then Lursienne (deliberately using so much of her innate power that none of the emperor?s magical defences could withstand it, in full knowledge that this would render her mortal like Bearren) sang a song that cast the emperor, with all of his court and its inner guards, into a deep slumber. Bearren took the Star-Crystal from the emperor?s crown, into his left hand, but this disturbance in the Empire?s mystical energies awoke the Wolf-demon Hlupperkharrone ? the ?Mother of BereWolves?, who had been bound by the Empire?s greatest wizards working together and wielding that stone, as a source for the spells of transformation that had created the lesser BereWolves in their service ? who bit off Bearrren?s left hand and swallowed both this and the crystal. She then charged out of the city, scattering the guards along the way (which proved useful to our heroes), and headed for Barrdenn with the intention of using that additional power to win a confrontation against her ancient enemy Merrienne. Our heroes followed her, joined by Pu?an just outside the city, and the Surra ? in gratitude for their rescue of her daughter ? gave them easy passage but then hindered the pursuing forces so much that they were unable to catch the heroic trio before those had entered the lands under Merrienne?s protection.
Fortunately the need to try and assimilate the crystal?s power, which burned within her guts, slowed the demon sufficiently for the heroes ?whom the Great Pig had allowed to use him as a steed ? to catch up with her at the entrance to Barrdenn: There Bearren (now wielding his sword right-handed (8)), Lursienne, and Pu?an, fought the hardest battle of their lives, but eventually managed to fell the demon. That monster?s material form dissipated as soon as Bearren had cut its belly open to regain possession of the crystal, which he presented immediately to King Dorrath in completion of the assigned quest, and Merrienne easily banished its spirit not only from Barrdenn alone but from the entire Urrth into the outer Void. Unfortunately mighty Pu?an had been mortally wounded by the demon before she perished, in ways that the powers of Lursienne and Merrienne could not heal, thus fulfilling a prophecy that only ?the greatest of wolves? would ever slay him, but he survived for long enough to see these latter events; to hear Dorrath to give consent to a wedding between Lursienne and Bearren; and to utter several prophetic verses of his own.

(And there the film, although not the full story, ends?)

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Cast

Lursienne: Barrwen ?Evenstar? vah-Bearren (9)
Merrienne: voice = Barrwenn ?Evenstar? vah-Bearren; image = a figure made from white light, digitally placed using motion-capture from acting by an anonymous TrueBear (It is considered impossible for mortals to portray either Merienne or any of the other StarBears accurately enough, so by longstanding convention some method along those lines is always used?)
King Dorrath: Berrond ?Half-TrueBear? vah-Bearren (10)
Bearren: Berruss o Wirrenne (This is his first major role: he was chosen for it over various more-experienced candidates because the film?s creators felt that using an actor whom viewers would not subconsciously identify with other roles too was fitting.)
Barrahirhr: Hrrobh o Wirrenne (11) (He is the father of Berruss o Wirrenne, in RL as well as IC in this film.)
Eldramirra (mother of Bearren): Charra o Herrchaum
Barragon (as Ursine): Parroch Marrn?hae
Barragon (as BereWolf): (animatronics)
Adharrm: Berruss West (This character was a companion of Bearren during his exile, until that hero left the SouthWoods and crossed the mountains.)
Burtt: Hrrick Warden (ditto)
Kurtt: Kurtt Russett (ditto)
She Within Bahar?Kai: Marrla Flowers (only as a disembodied voice)
Baeron the Minstrel: Werrin Torrent
Pu?an, the Great Hog: voice = Danno Parroch Carrarray; image = (animatronics)
Daughter-of-Surra: Sarronna Fairbearrn
The Vivimancer: Leomhar Kellerren
Baurron the Accursed: voice = Peddar Crushing; image as Ursine = a figure made from purple light, digitally placed using motion-capture from acting by an anonymous TrueBear; image as BereWolf = (animatronics)
Imperial General Tarkwon: Peddar Crushing
The Purple Emperor: Ursiosophurr Lee
Hlupperkharrone: voice = (synthesized); image = a figure made from purple light, digitally placed using motion-capture from animatronics.

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Creators (other than Cast)

Producer: Garraigh Mixed-kin
Director: Marrla Flowers
Assistant Director / Head of Cinematography: Norrbearh Peacetown
Script: Hrarroh Amnarrh?bahr Borr-Vurra (12), drawing on both the ?family-authorised? script for the 1938 film and the subsequent scholarly writings of Professor Jherran Hronno Hrrealh PhD (of Kings? University).
Soundtrack: partly adapted from the scores for both the opera and the 1938 film, selected &re-orchestrated by Jherran Werrim?s-son (who also composed the added material) and Maestro Ehrrtree Foreview, and performed by the Council Groves Philharmonic Orchestra under the latter?s direction.
Routemaster: Barriss Kurrens
Special Effects: the Danno Carrarray Studio (animatronics, and props in general); Entertainments Light and Magic (?E.L.M.?) (digital effects)

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Notes about locations

Filming took place not only in the studios and on their back-lot but also at various sites within the lands of Clan Irrumbarra, Clan Redwood, Clan Greenwoods, Clan Chargh?ghrurr, and Clan WildWoods; in the woods of Southerr-Barrdenn; in the forest of Iffurrien, part of which stood in (with the locally-basedTrueBears? permission) for the ?Barrdenn? of King Dorrath?s time; and at several sites in the Marches.
The actual remains of the Vivimancer?s Tower are still regarded as unsafe, and are off-limit to all Bears except maybeso under very special circumstances (which filming this movie was not considered to constitute?). Another semi-ruined tower of comparable vintage, situated in the North-Western March, was therefore used as the model for a modern re-creation of the original.


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OOC Footnotes

(1) ?TrueBears? are to Ursines, more-or-less, as Elves (of the ?Tolkienian? kind) are to Humans.
(2) ?Irrumerrhabarra? translates into English as ?First Bears in the West?, reflecting the fact that their ancestors had indeed been the first group to head westwards after the ?Great Awakening? when the earliest generation of modern-type Ursines became sapient. Following the defeat of the Purple Empire, and of the ?Demon Empire? approximately another generation after the latter event some survivors regrouped in a part of their old homeland as ?Clan Irrumbarra? which still exists today: another group, who had migrated even further into the west to avoid those Empires? forces, eventually ended up as the nucleus around which the Northlander clan ?Errhabarra? was founded.
(3) And the ?StarBears? are this setting?s counterpart to Tolkien?s ?Valar?, at least as those appear to the Ursines.
(4) Baerron is famed as one of the greatest minstrels of all time, and his [sometimes used] designation ?Baerron of Barrdenn is said to be the origin of the term ?bairrd? which is still widely used in these lands to denote a skilled minstrel of the traditional type. He is also credited with inventing both the harp and the first script for writing the Ursine language. It is presumed that he was among the fatalities, dying alongside his king, when the Demon Empire?s forces finally reached the heart of Barrdenn.
(5) The Wizards? War was the conflict in which the human ?Luvarian? civilisation had self-destructed, almost an Eight-Cubed of years before the first ?awakening? of ?modern? Ursines to sapience.
(6) See https://en.wikipedia.org/wiki/Bear_dog .
(7) This was probably the same ?Daughter of the Surra? who later became the mother of the hero-musician ?Urrthro, the Wild Harper?.
(8) There?s a story behind Bearren?s ability to do that well, too, but it?s one for another time?
(9) Yes, she is this Reality?s counterpart to Arwen ?Evenstar?, daughter of Elrond, and thus a great-granddaughter to Bearren and Lursienne. This is her first film role, although she?s been interested in the theatre since attending the opening night of Shakes-Bears? play about this story while she was a student.
(10) Yes, and this is the counterpart to Elrond: His participation was unprecedented, was beyond the production team?s hopes, and was for reasons which he refuses to discuss even with his own daughter.
(11) Hrrobh o Wirrenne has had a long and successful career in show business. He originally made his name as secret agent ?Naborru LoneBear? in a television series called ?The Bear from B.A.S.I.C.?, and used that to go into the films instead; he is best-known nowadays, at least until this film becomes widely seen, in the role of adventuring archaeologist ?Garrison Fforde? who was the hero of ?Raiders of the Lost Park?, ?Garrison Fforde and the Temple of Gloom?, and ?Garrison Fforde and the List Curs?d?.
(12) He is a member of what would be, if the monarchy were restored, the Royal Family? but is not ?the rightful heir? and certainly not this Reality?s counterpart to ?Aragorn, son of Arathorn?.

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Notes about [the main] earlier versions

1). ?The Tale of Lursienne and Bearren?: epic poem; dates from during or just after the struggle against the ?Demon Empire?, and the intervention against the demons by the StarBears; its is generally attributed to Baerron, the Minstrel of Barrdenn (whose title gave rise to the term ?Barrdh? for a minstrel of both great talent and considerable learning), who was alive at the time of the events described and was personally acquainted with the protagonists.
2). ?The Tragedie of Bearren and Lursienne?; stage play, [1599 AD]; by Werrim o SwanWater, who is commonly known ? because of his works? moving effects ? as ?Shakes-Bears?; adds some material to the poetic version, including a pair of comic-relief ?Brock? (i.e. anthropomorphic Badger) servants and a ?prophecy? about the rise to power of the Borr-Vurra dynasty, as well as giving Bearren a greater share of the limelight.
3). ?Bearren and Lursienne?; opera, [1889 AD]; lyrics by Artorrios Ghilhbearrh, drawing heavily on Shakes-Bears; music by the famous Ostboran composer Dmitrri Leitmotiv.
4). ?Bearren and Lursienne?; silent film, black-&-white, [1908 AD].
5). ?Bearren and Lursienne?; silent film, black-&-white, [1924 AD].
6). ?Bearren and Lursienne?; ?talkie?, black-&-white, [1934 AD]; Furrnurr Cousins studio; the first version to be publicly endorsed by its subjects? closest living relatives, and thus considered more authentic than any of its precursors except maybeso the epic poem.
7). ?Bearren and Lursienne?; ?talkie?, with several extracts from (1) turned into songs but otherwise basically a remake of (6), and technicolour, [1938 AD]); Furrnurr Cousins studio; score by Berrich Goldencorn; also endorsed by the vah-Bearren family; brilliant film, one of the ?classics?, and still shown on national television annually.
8). ?Bearren and Lursienne?; musical, technicolour, [1957 AD]; BGB studio; draws to some extent on the opera.
9). ?The legend of Lursienne and Bearren?; concept album & rock opera, [1975] by keyboardist Hrrick WakeBear, drawing mainly on the epic poem.
10). The ?Bearren and Lursienne?, or ?Star-Quest?, trilogy; ?Bearren?s Journey?, ?The Two Towers?, and ?A New Hope?; 'talking' / technicolour films, with better special effects than the earlier versions, [1976/1978/1981 AD]; produced & directed by the Talking-Mountain brothers, Jherro and Jharge; its script owes more to Shakes-Bears? play than to any of the previous films; score by Jharrge Goldencorn, son of Berrich; verrry popular, then and now, and very ?merchandised? too; spin-offs included three different series of childrens? cartoons on television, and a comic-book series.
11.) ?The Tragedy of Bearren and Lursienne?; film version of Shakes-Bears?s play, made by and [originally] for the BABC [1986].

(edited to tidy-up a few minor formatting errors.)
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#8

Category: Classics of the IDU

Title: The Society of the Red Rose

Languages: Old Laeralian

Background Info: The last work of the Laeralian director Pierre Rundsen, this four-hour long black-and-white epic was intended to be the first in a trilogy known as the Cycle of the Rose. However, Rundsen died during planning for the sequel, which was never made. Rundsen based the movie off of the Laeralian novel of the same name, which was itself loosely based on the collection of folktales known as The Red Rose Society. This movie was released in black-and-white and Old Laeralian; the version shown at the festival has been remastered and painstakingly recolored, although the dialogue is the same.

Major Actors:
Edith Rutherford as Freia d'Lythander
Jean-Paul Duchamps as The Courtier
Gareth Trudeau as Arrin d'Siryl
Catherine Fey as Ceris d'Charnell
Royce Marcus as Daeros Vargil

Synopsis: It is Laeral's Feuding Period, where powerful noble houses vie for supremacy. Freia d'Lythander is being groomed to become a leader of her house, House Lythander, also known as the House of the Red Rose. However, the border with High Fells is becoming unstableas Fellsian raiding parties slip through the border to plunder. One day, the closest person that Freia has to a friend, Arrin d'Siryl, is attacked by Fellsian raiders, but saved by a dashing swordsman known only as The Courtier, who escorts Arrin home. There, he meets Freia, and while waiting to warn the King about the Fellsian military buildup, Freia begins to develop an attraction to him. However, the Fellsians launch a surprise attack, overwhelming the Laeralian forces and killing the King. The three of them must go into hiding while formenting resistance, and form a resistance group known as the Red Rose Society, after Freia's title/accolade, Countess of the Red Rose. The rest pf the movie follow their journey and missions to combat the Fellsian occupation, culminating in a massive recreation of the Battle of Courvin, with over 7000 extras. Forces of the Red Rose defeat the Fellsians, which is the first victory of what is now a war. The credits roll. The director intended to reveal the Courtier's identity in the next movie, but never got around to making it. Today, it is regarded as a great Laeralian masterpiece.
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#9

Bears Armed has sent a trio of judges, who will cast their vote on the basis of majority opinion among them:
Alberre White, from the Bears Armed Association for Moving Pictures (adult male); Arrna Goodbear, from the BABC (adult female); and Torro o Dusk, who won a national competition to gain this place (adolescent male).

Alberre: "Hokay, so 'Best IDU Film'?"
Torro: "Bearren and Lursienne!"
Arrna: "I agree, it has to be 'Bearren and Lursienne."
Alberre: "And I'll make that unanimous.
"Hrright, that one was easy enough..."


Arrna; "Best Foreign Film, next?"
Torro: "Has to be ?Outside the Lines?, hrright?"
Alberre: "Ayyuh, I?d say so."
Arrna: "I preferred ?A Dog in the Wolf?s Lair? myself: very moving. "
Torro: ?Urrgah!?
Alberre: ?Not quite how I?d phrase my opinion of that story, but?
still ?Outside the Lines? for me, too.?

Arrna: ?Dry paws catch no fish, but hokay, by two votes to one, ?Outside the Lines? it is.?

Torro: "Only one entry in the ?Classics? category, so I guess that that vote?s easy?"
Arrna: "Yes, well... ?The Society of the Red Rose? really is a classic, anyhows, no argument against it from me."
Alberre: "Ayyuh. I wonder whether we can get a dubbed or subtitled version of it available for release back home?"
Torro: "It did look interesting, for true. Hokay, so, unanimous again?"
Arrna and Alberre: ?Yes.?

Alberre: ?And that concludes the votes of the Bears Armed jury.?


:Bear: :Bear: :Bear:
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